Thursday, January 28

Cover Reveal & Giveaway: The Lord of Ireland

As writers, we of course do a lot of this:

But in the world of scribble-scribble-scribble (well, tap-tap-tap) there are certain occasions of huge excitement. One of those is when you finally get to release the cover of your latest novel to the world. I'm so thrilled with what my wonderful publishers, Thomas & Mercer, have produced.

So here it is, The Lord of Ireland, Book #3 in the Fifth Knight series!

And here's what it's all about:
England, 1185. John is a prince without prospect of a crown. As the youngest son of Henry II, he has long borne the hated nickname ‘Lackland’. When warring tribes and an ambitious Anglo-Norman lord threaten Henry’s reign in Ireland, John believes his time has finally come. Henry is dispatching him there with a mighty force to impose order.
Yet it is a thwarted young man who arrives on the troubled isle. John has not been granted its kingship—he is merely the Lord of Ireland, destined never to escape his father’s shadow. Unknown to John, Henry has also sent his right-hand man, Sir Benedict Palmer, to root out the traitors he fears are working to steal the land from him.
But Palmer is horrified when John disregards Henry’s orders and embarks on a campaign of bloodshed that could destroy the kingdom. Now Palmer has to battle the increasingly powerful Lord of Ireland. Power, in John’s hands, is a murderous force—and he is only just beginning to wield it.
You'll have to wait until April 05 2016 to read it, but you can pre-order it, which would of course make me:

It's available through all these links:
Book Depository
Barnes & Noble

But to start the celebrations early, I'm offering a signed paperback to one lucky commenter on this post. Entries remain open until midnight BST on March 31st 2016. All you have to do is leave one comment, along with your e-mail. To stop horrible spambots, it's best to put it in the format of dancing monk [at] dancingmonk [dot] com. The winner will be chosen at random. Oh, and the monk stops dancing at any abusive/automated/spam entries and just deletes those.

Thank you- and good luck!
Update April 2 2016: this giveaway has now ended and the winner has been notified. Many thanks to all for entering!
My wonderful book cover image is copyright of Thomas & Mercer. The other images are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts.

Friday, January 22

Medieval Mythical Creatures

No matter how ardent a fan of natural history documentaries you might be, you may struggle to identify the creature on the right portrayed in this medieval manuscript.

Yes, it's the serra, defined by the Oxford English Dictionary as 'a fabulous marine monster.' The entry in the 1527 Noble Lyfe Bestes describes it thus: 'Serra is a fysshe with great tethe and on his backe he hathe sharpe fynnes lyke the combe of a cocke and iagged lyke a sawe.' While I think the serra is indeed quite marvellous, the OED means 'fabulous' in the sense of 'celebrated in fictitious tales.' But the medievals loved a fabulous creature and we find many examples of them in manuscripts and texts. I'd like to share a few personal favourites.


I doubt if anyone would struggle to describe a dragon: a mythical monster like a giant reptile, winged and breathing fire. Even today the national emblem of Wales is Y Ddraig Goch, The Red Dragon. This of course is a different type of dragon to the gwiber (viper). Celtic dragons were said to live at the bottom of deep lakes or guard trees and represent elemental power, often that of the earth. But with the spread of Christianity, the dragon came to represent paganism. For the medievals, the dragon was a symbol of demonic power or the sin of pride.

It features again and again as the vanquished opponent of the hero knight: Lancelot, Tristan and Gawain all fought and defeated dragons. Yvain rescued a lion from one. Dragons, sea serpents and giant worms appear on medieval maps, with the creatures representing wilderness and the unknown. Twelfth century chronicler Gerald of Wales viewed Ireland as a wild and inhospitable place but he reported in his Topography of that country, 'There are no dragons,' presumably good news to all.

It wasn't only knights who battled dragons during the medieval period. We can find over one hundred saints who had skirmishes with dragons or monstrous serpents. These include Saints Margaret of Antioch, Martha, Sylvester, Gregory and Armel. Most famously is England's Saint George. George may have been a soldier who achieved martyrdom in fourth century Palestine and had a modest reputation in the centuries that followed.

But it was a medieval bestseller that brought him huge popularity. The Legenda Aurea (The Golden Legend) was a collection of saints' lives compiled by James of Voragine and completed by 1265. In it, George excitingly saves a king's daughter who is about to be eaten by a dragon. George spears the beast, secures it with the princess's girdle and leads it before a huge city crowd where he beheads it. Everyone who sees it promptly becomes a Christian. Many miracles were attributed to him throughout the medieval period (usually the victory in battle kind) and by the end of the Middle Ages he was regarded as the patron saint of England.


According to medieval bestiaries, the unicorn was the wildest of all beasts and it was swift and fierce. The only way to capture it was for a virgin to stay close, whereupon the unicorn would lay its head in her lap, and so be able to be caught. The animal came to represent power and purity and the links to Christ and the Virgin resonated with the medievals. Wealthy collectors coveted unicorn horn as it was believed to have magical and medicinal powers, specifically against poison and convulsions.

Whatever these collectors believed they had paid for it certainly wasn't unicorn horn. No-one of course had actually seen one, although received wisdom was that the unicorn inhabited the Far East and India. One can only imagine the excitement when Marco Polo finally encountered one (several, in fact) in Java in the thirteenth century. Trouble was, the unicorn was actually a rhinoceros. We can hear Marco's disappointment at his discovery in his account of his travels: 'They delight in living in mire and in the mud. It is a hideous beast to look at. ' Most disappointingly of all: 'In no way like what we think and say in our counties, namely a beast that lets itself be taken into the lap of a virgin.' One can only concur: no-one, virgin or not, would want to give thigh room to a rhino.


The 1440 manuscript Sir Eglam has the appealing line: 'Ther dwellyth a yeaunt in a foreste.' A 'yeaunt' is of course a giant and many appear in medieval romances. We have another medieval bestseller to thank for their popularity. Geoffrey of Monmouth, Bishop of St Asaph in Wales,  produced his Historia Regum Britanniae (‘The History of the Kings of Britain’) in around 1136.

In this work, King Arthur fights and slays giants. One of Arthur's quests is to seek the beard of one to make a leash for his dog. Geoffrey also says that Corineus, first human ruler of Cornwall, chose it because wrestling against giants was his favourite sport and Cornwall had lots of them. Gerald of Wales mentions giants bringing enormous stones to Ireland 'in ancient times.'

Representations of giants were also a popular feature of medieval pageants and processions. several major cities have records of their use. The figures were made from wood, wicker-work, and a coarse linen stiffened with paste. Many were brightly painted and were dressed in elaborate clothing. 1495 Chester had a family of them: giant, giantess, and two daughters.

Astonishingly, one processional giant still survives in England. The twelve foot high Salisbury Giant is around five hundred years old. He is sometimes called Saint Christopher, as were other processional giants. Christopher was a fourth century martyr that had become the patron saint of travellers by the Middle Ages. Many English churches had wall paintings and windows depicting Christopher, usually facing the main entrance, as it was said that anyone who saw an image of him would not die that day. Saint Christopher medals were already known to the medievals- one of Chaucer's pilgrims, the Yeoman, has one made of silver.


In early use, the mermaid is often identified with the siren of classical mythology. Recorded from Middle English, the word comes from mere with the obsolete sense ‘sea’  and 'maid'. The 1366 Romaunt Rose observes: 'Though we mermaydens clepe hem here,..Men clepen hem sereyns in Fraunce.' (Note: that sentence is in Middle English. But you don't need a translation. Read it aloud just as it is written and it makes sense. It is also great fun to do.)

Medieval mermaids are, unsurprisingly, a sinful creature. They are specifically accused of inspiring lust and sinful desire. Heresy is another of their fishy evils. 'Syrens' pop up in Geoffrey of Monmouth's Historia and we are assured that many swim around the seas surrounding the British Isles.


This very last mythical creature is my absolute favourite: The Shrieking Vegetable. Yes, it's the mandrake. The mandrake is a plant, the roots of which look (vaguely) like a human being planted upside-down. The medievals credited it with magical and medicinal properties and popular wisdom was that it would shriek when pulled from the ground. Those who dared to pick it would die as a result of their harvest.

Quick medieval thinking passed this fate onto a dog. Dog would be tied to mandrake, dog would be urged away from mandrake. Dog would pull it from the ground, so dog would die. Relief all round. In case you're wondering, that pale little chap in the picture above is a mandrake. People: if you see him amongst the carrots in your local supermarket, leave him alone. You have been warned.
All images are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts. 
Dear, I. C. B. & Kemp, Peter, eds: The Oxford Companion to Ships and the Sea (2 ed.) (Oxford University Press 2006 Current Online Version: 2007)
Kieckhefer, Richard: Magic in the Middle Ages, Cambridge University Press (2000)
Knowles, Elizabeth, ed.: The Oxford Dictionary of Phrase and Fable (2 ed.) Publisher: Oxford University Press (2005, Current Online Version: 2014)
Lindahl, C., McNamara, J & Lindow, J. (eds.): Medieval Folklore, Oxford University Press (2002)
Livingston, E.A.,ed.:The Concise Oxford Dictionary of the Christian Church (2 rev.ed.), Oxford University Press (2006, Current Online Version: 2013)
MacKillop, James: A Dictionary of Celtic Mythology , Oxford University Press (2004, Current Online Version: 2004)
Resl, Brigitte, ed., A Cultural History of Animals in the Medieval Age. Oxford: Berg (2007)
Simpson, Jacqueline & Roud, Steve: A Dictionary of English Folklore, Oxford University Press (2003, Current Online Version: 2003)

Note: I first wrote this post (or an edited version of it) for the English Historical Fiction Authors blog. It first appeared there on December 15 2015. 

Tuesday, January 5

A Crown of Blood & Honour Series: Guest Post T.K. Roxborogh

I'm delighted to welcome a guest to my first blog post of 2016, and one who is celebrating a special event. Fellow Thomas & Mercer author T.K. Roxborogh's  A Crown of Blood & Honour series is based on the aftermath of the story of Macbeth. The first novel, Banquo's Son, was released in 2015. The second in the series, Bloodlines, is out today, hence the celebrations. 

Welcome, T.K.! The premise of your A Crown of Blood and Honour series is intriguing. What inspired you to write it?

I had been teaching Shakespeare for twenty years. I've always wondered what happened after the play Macbeth ended. Especially the question ‘how DID Banquo’s son become king as the witches foretold?' One night, a character came so vividly in a dream, I knew I had a story - and a big story it was going to be.  Set ten years after the play’s story, the series follows the adventures of Banquo’s son, Fleance, as he navigates an unsettled Scotland, trying to find out why he is plagued by the ghost of his father (Hamlet-esk like).

Like I say: intriguing! And readers have of course loved the first book. What’s the nicest thing a reader has said about your work? 

“The series is a cross between William Shakespeare and Diana Gabaldon”. I was singing with joy for many weeks after this review from a bookseller and reader I admire hugely.

Somehow I think any author of historical fiction would be pleased with that one. So what drew you to historical fiction? Is it a genre you read? 

I don’t have a particular ‘genre’ really. I just love story. I do seem to be drawn to sweeping sagas. I can usually guarantee that I won’t be disappointed when I pick up an historical novel to read.

As with all historical fiction, there is of course the mountain called Research that we all have to climb. How do you approach it? Are there any snippets you found fascinating but couldn't find a place for in your novels?

There are ALWAYS snippets I can’t use (sigh). My current novel is set during the 1977/78 occupation of Bastion Point – a land dispute between local Māori and the crown. I’m fortunate to ‘remember’ the tv reports and the sense of the country but I have had to do an enormous amount of reading (and reading between the lines) of newspaper accounts, political propaganda, personal accounts. Recent history is no less challenging, I’ve discovered, than 11th Century.

Writing is (of course!) your passion. What about other interests? 

I’m a high school English teacher. Best professional/vocation in the world. I have an insatiable appetite for story: books, movies, poems, oral accounts.

We all have our historical heroes. If you could meet any historical figure, who would that be and why? 

Anyone who has stood up against injustice; who have pushed on and never given up the dream to make life better for others. People like William Wilberforce, Martin Luther King Jnr, Kate Shepherd, Helen Keller.

What sums up the writing life for you?

98% procrastination (and complaining to the family about said procrastination), 2% frantic, fast, furious, driven and amazing output.

Yep: that sounds about right- and I'd bet that most other writers would agree with those numbers! What advice would you give to new and/or aspiring writers? 

Be aware of these setbacks during the journey to becoming a successful author:
Self doubt which can be paralysing. All writers get it no matter how good they are and how many awards they've won.
Not enough time so plan for and make the time.
Being in too much of a hurry to get a work out before it's had enough time to 'cook.'

Sound advice indeed and definitely worth heeding. What's next for T.K. Roxborogh? 

2016 is a year of new beginnings: job, city, home. I’ll be finishing a novel for Scholastic NZ and working on shaping the outline of the next historical novel set just after the end of the third book in the series – with an eye on the battle of Hastings as the marker.

Exciting times, indeed. Thanks, T.K. for stopping by and congratulations once again on Bloodlines

T. K. Roxborogh is an award winning writer and secondary school English teacher crazy about reading, writing, Shakespeare, Dr Who, Star Trek and sometimes just crazy. She lives in New Zealand and has been a teacher since 1989. She is the author of over twenty-five published works across a range of genres: novels, plays for the classroom, Shakespearean texts, English grammar books and adult non-fiction. She teaches English at a secondary school, writes and reads at every opportunity and, with her husband, runs around after her family - both the two- and four-legged kind. Roxborogh loves watching movies and TV shows, and staying in her pyjamas for as long as possible.

Visit T.K.'s website at She tweets as @banquotrilogy

You can find her books at:
Note: all images used are either copyright of T.K. Roxborogh or are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts.
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