Showing posts with label historical fiction. Show all posts
Showing posts with label historical fiction. Show all posts

Monday, November 3

Medieval Sorcery

At this time of year, there is much talk of witches, with large numbers of people happy to don a pointy black hat and party hard. Medieval people would have been unlikely to join in. The matter of anyone who practised magic was complex and they would have recognised the concept of a sorcerer rather than a witch.

Medieval Devil
© E.M. Powell
In medieval Europe two forms of magic existed: natural and demonic. Natural magic used the hidden powers in nature, helping with cures and protection. Demonic magic was a perversion of religion, practised it was believed by those who had turned away from God and instead to the devil. It was the practise of sorcerers.

The Practice of Sorcery

It was a widely-held belief that sorcerers could curse somebody with words, leading to illness or death. Sorcerers were also thought to be able to cause animal death, crop failure or an adverse change in the weather. The evil words could be a corrupted blessing, or a simple appeal to the devil. The supposed victim was not usually present at the utterance of curses.

The Prince of Devils sends out his ministers
 c1325 British Library 
Far more useful evidence to those making accusations of demonic magic were physical objects left on or near their property by the sorcerer. These objects were considered to have magical properties that could inflict harm. They could include animal bodies, mysterious powders, human faeces or even wood from a gallows. Poisoned food was also a frequent accusation.

In 1326, Pope John XXII wrote in his letter, Sorcery and the Inquisitors, of many objects that could serve the sorcerer’s purpose:  ‘Grievingly we observe…that many who are Christian in name only…sacrifice to demons, adore them, make or have made images, rings, mirrors, phials, or other things for magic purposes and bind themselves to demons.’

He had experienced several attempts on his life, including one by poison and alleged sorcery.

© E.M. Powell
There are also records of image magic. A sorcerer in fourteenth century Coventry was accused of making a wax image of a neighbour, sticking spikes into it that caused the man to go mad with a pain in his head and finishing him off by driving the spike through the image’s heart.

It was widely believed that impotence or lack of sexual desire was caused by sorcery. If a man consumed forty ants boiled in daffodil juice, then lifelong impotence would follow. Physician Arnold of Villanova wrote a treatise On Bewitchments around 1300 in which he gave numerous remedies. They include ‘fumigation of the bedchamber with the bile of a fish and smearing the walls with the blood of a black dog.’ That would indeed provide a certain ambience to a love nest.

A devil carries off the soul of a dying lover.
c1325 British Library 
Sorcerers

Some accounts of medieval sorcery are on a far grander scale.

Guibert of Nogent, writing around 1115, gives details of the heretics of Soissons. Meeting in underground chambers, they would light candles and then do something unmentionable to naked women with them. Indiscriminate sexual intercourse then took place. Any babies born from these acts were then allegedly burned at later meetings and their ashes baked into bread which was eaten. The strong overtones of blasphemy in this account are very clear.

William of Malmesbury (d 1142) wrote an account of the Sorceress of Berkeley, who had died in 1065. He describes her as ‘a woman addicted to sorcery…skilled in ancient augury, she was excessively gluttonous, perfectly lascivious, setting no bounds to her debaucheries.’ She repented on her death bed and begged for her body to be saved from Satan, with her corpse sewed up in a stag’s skin, placed in a stone coffin and weighted with lead and iron and secured with chains. It was no good. A devil broke into the church and made off with her on the back of a barbed black horse.

A hermit and a devil
c1275-1325 British Library 
The legend of the Sorceress of Ryazan dates from 1237. At Ryazan, a town on the eastern border of medieval Russia, a ‘woman of astonishing ugliness’ arrived with other riders on a snowy morning, demanding tithes. She was spurned. A few months later, a horde of murdering Mongols sacked the town.

Sorcery Trials and Punishment 

Secular laws and Church laws/canons attempted to tackle the problem of sorcery, and mutually influenced each other.  Secular laws dealt with the crime of magic and attempted to address harm done to people by magic.

Penalties included execution. The Church could order penance for the sin of magic and/or could excommunicate the offender. Excommunication, with the threat of eternal condemnation to hell, was as terrifying as a death sentence.

From Sorcery to Witchcraft

A sermon preached by Bernardino of Siena 1427 encourages people to cry out ‘To the flames! To the flames!’ if someone offers to cure the sick with magic. He also encouraged people to report sorcery, because if they did not, they shared in the guilt.

© E.M. Powell
Sorcery trials increased in the fourteenth century, but the latter half of the fifteenth century saw a dramatic increase. Heinrich Kramer published Malleus Maleficarum (Hammer of Witches, c 1486), the most important medieval treatise on witchcraft. It strongly emphasised the demonic element in sorcery and (tragically) the conspiratorial nature of witchcraft.

Medieval sorcery was evolving into witchcraft. And in its name, around 50,000 women and men were executed by burning at the stake or hanging from the fifteenth to the eighteenth century.

How interesting that John of Salisbury, (d 1180) secretary to Archbishop Thomas Becket, wrote in 1154 of ‘the belief in evil nocturnal assemblies, where infants are murdered and eaten by witches. Such beliefs also state that the infants are granted mercy by the witch-ruler, who returns them unharmed to their cradles. Who could be so blind as not to see in all this a pure manifestation of wickedness created by sporting demons?’ 

Demons tempting people with dancing
c1325 British Library
He answers his own question with a great deal of sense:
‘Indeed, it is obvious from this that it is only poor old women and the simpleminded kinds of men who enter into these beliefs.’

What a tragedy that his view did not prevail.
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If you've enjoyed this post, then you'll enjoy my historical thriller, The Blood of The Fifth Knight. It is published in German as Das Blut des fünften Ritters. And yes, accusations of sorcery are made with horrific consequences.


References:
All images unless otherwise stated are in the Public Domain and are part of the British Library's Catalogue of Illuminated Manuscripts. 

Kieckhefer, Richard: Magic in the Middle Ages, Cambridge University Press (2000)

Kelly, John: The Great Mortality, Harper Perennial (2006)
Kors & Peters (eds.): Witchcraft in Europe 400-1700, University of Pennsylvania Press (2001)
Lindahl, C., McNamara, J & Lindow, J. (eds.): Medieval Folklore, Oxford University Press (2002)
Maxwell-Stuart, P.G.: Witchcraft- A History, Tempus Publishing Limited (2004)
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I wrote this post (or an edited version of it) for English Historical Fiction Authors on November 02 2014.

Thursday, October 16

Fair Rosamund, Mistress of Henry II

In The Blood of the Fifth Knight, my second medieval thriller with Sir Benedict Palmer, somebody is trying to murder the Fair Rosamund, the beautiful young mistress of King Henry II. Henry summons Palmer to find out who is responsible. Events do not, of course, go to plan. But I really enjoyed writing the character of Rosamund, although little is known about the real woman. Here are some of the facts and the myths about her. 

Fair Rosamund
John William Waterhouse, 1916
Public Domain
King Henry II has a deserved infamous reputation for extra-marital affairs. Documented evidence exists of several liaisons, some of which produced illegitimate offspring, with women rewarded financially for their services to the King. By far the most well-known of Henry's mistresses is Rosamund Clifford, the young woman who is often referred to as Fair Rosamund. A less flattering contemporary description comes from Gerald of Wales, Henry's acerbic chronicler, who refers to her as 'that rose of unchastity.'

Her story has been embellished by layers of myths and legends over the last eight centuries. Born to Sir Walter de Clifford, a knight who had served Henry faithfully, Rosamund may have begun her affair with Henry at a very young age. The affair became open and public in 1174 when Henry had imprisoned his wife, Eleanor of Aquitaine, for her part in a rebellion against him. Later chroniclers mistakenly claimed that Rosamund bore Henry children, but there is no evidence that she did so.

Fair Rosamund in her Bower
William Bell Scott, after 1854
Public Domain
The bearing of children is one of the tamer stories that grew up around Rosamund. Ranulf Higdon, monk of Chester, born almost a century after her death, claimed that Henry had built pleasure gardens and a labyrinth or a maze for her at Woodstock in Oxfordshire. There is no evidence of such structures at the site which is located near Blenheim Palace. The spring and pond known as Rosamund's Well were not part of the buildings at Woodstock when Rosamund lived there.

Rosamund's Well today. The well is beside the lake in Blenheim's Great Park.
  © Copyright Philip Halling Creative Commons Licence

But that didn't stop the rumour factory of popular imagination. A further embellishment was that Rosmund had been murdered by Eleanor, who had found her in the maze.

Thomas Deloney, a renowned writer of  popular ballads who died about 1600, wrote 'The Ballad of Fair Rosamond'. An edition in circulation between 1658 and 1664 is titled: 'A mournful ditty of the lady Rosamond, king Henry the seconds concubine, who was poysoned to death by Queen Elenor in Woodstocst [sic] bower near Oxford.'

Poet Samuel Daniel wrote 'The Complaint of Rosamond' in 1592 and dedicated it to his wealthy patron, Mary, Countess of Pembroke. Again, the myth of Eleanor poisoning Rosamund endures, with Rosamund uttering such lines in the poem as;

‘And after all her vile reproches used,
She forc'd me take the poyson she had brought...
The poysoon soone disperc'd through all my vaines,
Had dispossess'd my living sences quite.’

Fair Rosamund & Queen Eleanor
Edward Burne-Jones, 1861
Public Domain

There continued to be numerous references to Eleanor carrying out the ghastly murder of Rosamund. As well as poisoning, there was stabbing, burning, bleeding and doing something unmentionable with toads. In Alfred, Lord Tennyson's play, Becket, Rosamund becomes the reason for Archbishop Thomas Becket's murder in Canterbury Cathedral. 

La Normandie, Jules Janin
Public Domain
Rosamund's life certainly was cut short. She died at Godstow Nunnery in Oxford in 1176 to where she had retired. The cause of her death is not known. Henry paid for a highly decorated tomb to be erected before the altar at Godstow. The records also show Sir Walter de Clifford making grants of 'several mills and a meadow' to Godstow in memory of his wife and daughter.

Godstow Nunnery today
© Copyright Pierre Terre and licensed for reuse under  Creative Commons Licence
Henry's generosity continued after his death in 1189. Bishop Hugh of Lincoln visited in 1191 and found the tomb still adorned with silk cloths and looked after by the nuns in accordance with Henry's wishes. Bishop Hugh, however, took a rather dim view of what he found. He ordered the removal of Rosamund's tomb to the nearby cemetery for 'she was a harlot.'

Fair Rosamund
Dante Gabriel Rossetti, 1861
Public domain
It was finally destroyed during Henry VIII's Dissolution. But even Henry VIII couldn't succeed in wiping out the memory of Fair Rosamund. Her myths endure to this day.
~~~~~~~~~~~~~~~~~

References and sources:

Archer, T.A., rev Hallam, Elizabeth, Oxford Dictionary of National Biography (Oxford University Press 2004-2014)
British History Online: www.british-history.ac.uk
Broadside Ballads Online- from the Bodleian Library: http://ballads.bodleian.ox.ac.uk/
Daniel, Samuel: 'Delia. Contayning certayne Sonnets: vvith the complaint of Rosamond.' 
Guy, John: Thomas Becket, Penguin Books (2012)
The Poetry Foundation: www.poetryfoundation.org
Warren, W.L., Henry II, Yale University Press (2000)
Weir, Alison: Eleanor of Aquitaine: By the Wrath of God, Queen of England, Vintage Books (2007)

I first published this post, or an edited version of it, on the English Historical Fiction Authors blog in October 2014. English Historical Fiction Authors: Fair Rosamund, Mistress of Henry II:

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Monday, June 2

Writing a Sequel

As every writer knows, it's the small things that make our day. Coffee. A few uninterrupted hours in which to write. A 5* review from a reader. Getting paid. (note: this list is in random order and not in order of importance. You get the picture). One of the biggies is the state of Having Written. You've done it again, produced a 100,000 words that hang together into something coherent and maybe, just maybe, quite good. But for me at this moment in time, it's not just the HW. It's Having Written a Sequel. 

Now, for those of you who've never written a sequel, you'll be thinking "What's the big deal? It's just another novel and novel writing is hard. Full stop." Just what I thought. Until I started to write one and found that there is a whole weight of expectations and problems attached to writing a second novel. I have other (unpublished) novels under my belt, so it's not like I can't produce novels. Let me explain.

1. Second Novel Syndrome

As an unpublished writer, I believed the hard climbs were to 1. Get an agent (done) 2. Get a publishing deal (done). 3. Have great sales (done). Once I had achieved those three, then the rest would be easy. Nobody told me about Second Novel Syndrome. The thing that happens when a second novel isn't as good as the first. When it fails to deliver the promise of the sparkling debut. When you basically, as a writer, fall on your behind and it's clear to all that yes, you had a novel in you. But it was just the one. 

So with your second book, the game is on. You absolutely have to get it right. And weirdly, the more successful your debut, the more pressure there is for the next one to be as good and ideally, better. Oh, and other thing, said the sage advice I found online: don't try and do it with a sequel. Because writing a decent sequel is really difficult.  Problem was, my historical thriller The Fifth Knight was a #1 Bestseller on charts on different Amazon sites. It had loads of 5* and 4* reviews. And I was trying to write a sequel to it, called The Blood of The Fifth Knight. Oh, indeed.

Same Again, Please

2. Of Course I Can Do It Again. (Or, Oh, No You Can't.)

What cheered me about being an agented, published author was that I no longer had to produce the whole novel before it could go out on submission. All I needed was 30,000 words and a detailed synopsis. Easy-peasy. I always do a basic scene by scene synopsis, but not this time. No. I was going to write a beautifully constructed three-act synopsis. I was going to show detailed character development, perfect plot arcs. I was going to develop my skills in my genre of historical thrillers and make this a weighty read. I wrote said synopsis. And a tiny voice in my head whispered: "This is boring." "Hah!" I replied to the voice in my head. "It is not boring at all. See, how authentic and gritty and...historical and proper it is."

So I wrote my 30,000 words based faithfully on said synopsis. I sent both to my agent and the second I pressed send, I admitted to the voice. "Yep. it's boring." I hoped my agent wouldn't notice. I allowed my spouse the first read simultaneously. He said it was frequently boring. My agent was more tactful (Great writing, but...) But yes, it's boring. So he had noticed. Damn. But my agent was also spot on in reflecting back the bits that weren't boring at all. That worked for him as a reader. That were true to The Fifth Knight. I had to do more of that. Much more. And he wasn't sending it anywhere until I had. 

My delete button took care of 20,000 words. And I couldn't have been happier. I stopped trying to write what I thought I should write and wrote what I enjoyed. Out went a famine. In came a leopard. (Yes, really. Historical fact. I promise). And we were back on.

3. How To Make  A Rod For Your Own Back:

Most of the action in The Fifth Knight took place in December 1170/January 1171, with the murder of Archbishop Thomas Becket in Canterbury Cathedral and its aftermath. I added a nice epilogue from July 1174, with King Henry II doing penance on the streets of Canterbury for his murder. I had included that because a sequel hadn't been on my mind then. 

But the sequel takes up where that scene left off, with an enormous amount of political upheaval that had taken place in the preceding years. And I had characters that had to start off from this three-years-later point. And I had to incorporate a credible story line about what had happened in those intervening years as well as start a brand new premise for the new novel. It was the singularly most complex plotting exercise that I had ever done. I must have redone that plotting jigsaw dozens of times.

One jump from the dog and it would've been disaster.

If I had left that epilogue out, I would have had far more freedom to move to the next story. My turn for sage advice: leave the narrative door a bit further open for the next stage of a story. You may well be glad you did.

And I fretted and fretted over those complexities, the time shifts, the points of view. Was this now really working or was I boring everyone again? Admittedly the tiny voice in my head had gone quiet, but it might have just fallen asleep. Agent and spouse reported back, very happy, as did beta-readers. But all of that is for naught unless an editor likes it.

4. Thank You, Writing Gods.

So the e-mail from the editor comes, as it inevitably does. I don't know how you read something with your eyes screwed shut, but I did. And she said: 
"Congratulations – this is a brilliant historical thriller, I absolutely loved it and was drawn in from the first page. The action is exciting, the plot is twisty and you create a brilliant sense of the period... I really enjoyed reading it and don’t think that you need to do very much work here at all."
 Yes, not only have I managed to write a sequel to my #1 selling historical thriller The Fifth Knight, I have managed to write one that the editor really likes. Let there be dancing, happiness and above all, a colossal sigh of relief. As for not needing to do very much work on it? I think I'm best described as a front loader.
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Update from April 2016: The Blood of the Fifth Knight has so far sold over 30,000 copies. Thank you indeed, Writing Gods. And thank you, readers, an awful lot more!



Monday, April 21

The Writing Process Blog Hop


When historical fiction author Matthew Harffy put a call out on Twitter recently asking for authors to take part in a Blog Hop, I jumped at the chance. The title of this Hop series is called The Writing Process, where writers answer four set questions about that topic. It's a subject very dear to my heart as I love seeing how others writers wrestle with the uncooperative and slippery mass of tentacles that is our craft. Matthew has written his and you can read all about it here. He has tagged me and so now it's my turn! At the end of this post, you'll see my great tagees, Dianne Ascroft, Jo Chumas and Ginger Myrick. They'll be posting on 28 April 2014. (Note: tagees is not a word and it upsets the spell checker. But since my writing involves the twelfth century, the spell checker gets upset by my word use a lot. I have come to ignore it, which is actually quite a risky approach. You can have that hint for free.) Now to the questions...

1. What am I working on?

The sequel to The Fifth Knight, which was a #1 Bestselling Historical Thriller on Amazon.com and Amazon.co.uk. In The Fifth Knight, Sir Benedict Palmer fights alongside the four knights who murdered Archbishop Thomas Becket in Canterbury Cathedral in 1170
The sequel is called The Blood of The Fifth Knight. Set four years later in 1174, an unknown assassin tries to take the life of Rosamund Clifford, King Henry II’s beautiful young mistress.  The king summons back Sir Benedict Palmer, the only man he can trust to root out who is
responsible.

2. How does my work differ from others of its genre?

Many (but of course, not all) books about this time period focus almost exclusively on male characters. I read one recently which was brilliantly written and had a wonderful plot and involved the characters travelling some 1,000 miles. But the only female human they encountered in the whole book was a washerwoman by a river in the distance. That doesn't work for me. I have female characters playing just as important a role as the male ones. My heroine in The Fifth Knight is an anchoress, a young nun cloistered in the walls of Canterbury Cathedral. I can guarantee she takes centre stage on a regular basis, as she does in the sequel. And my books are speculative fiction: I like to take the facts as they are known and bring in my own 'what ifs?' 
And I know this question is about difference, but I have to mention my joy (and surprise!) about who readers and reviewers have compared my writing to. The great Ken Follett has been mentioned quite a few times. On those days, I am extremely chuffed. 

3. Why do I write what I do?

Because I love everything medieval. And I love thrillers. And this writing game is hard work, with hour after hour put in to make sure my story is the best it can be. I can't imagine doing that if it was a genre I had little interest in. And if I'm boring myself, what would that do to a reader?

4. How does my writing process work?

Like with any historical writer, it starts with research. I'm fortunate to live in the UK, where I've been able to visit some of the sites where the action in my books takes place. 
Knaresborough Castle in North Yorkshire. History relates the knights fled here after Becket's murder.
It's a gift to be able to walk in the footsteps of your characters but it's only one small aspect of the research that I do. I use non-fiction books, scholarly articles, history magazines, blogs, internet searches, expert opinion, the literature, poetry and songs of the time- in short, the standard list that any writer serious about historical fiction uses. I can get carried away. It usually looks like this:
Research Avalanche!
This was a day when I was trying to figure out if a monk could be a monk or whether he should be a parish priest. That fact check only took about six hours. I'm happy I have the issue of parochial benefices and advowsons nailed. But no doubt someone will take a Dim View and let me know it. (Note: this is part and parcel of writing Historical Fiction. If you own any replica armour, you should probably wear it before you read some reviews). 

Suitably researched, it's then time for me to start plotting. Confession time: I am a die-hard control freak who has to know what's happening at every moment of every day. And I like to plot as well (heh). But I could never inhabit the world of the pantser. I admire them to the tips of my toes but I could never cut loose like they do. I did it with my first novel. It is an experiment that will never, ever be repeated. And the loft is already full of failed versions of the MS and rejection letters. So here's the E.M. Powell synopsis plotting tool:
Scene By Scene Synopsis

Yep, every scene in The Blood of The Fifth Knight. All written up in advance, with POV, location, action and some dialogue. This comes in at about 10,000 words. And then I start writing. You will note from the pen marks on this a certain level of fury with it. So it still doesn't flipping work. But it's a start.

Then it's written. Don't know how it happens but after several months of caffeine, weeping, more fury, and an exhausted delete button, it's there. All 100,000 words. A few trusted souls are allowed to see it: Spouse, Agent plus three trusted Beta-readers.  They give their wise opinions about the Big Picture stuff. And they are always right. Then it's time to start editing. Every single scene has to be polished to be the best it can be. This involves highlighters, more caffeine and a pen. Reading on screen is fine. But I have to see it on the page. The result? Take a look:
Editing Blitz
Each highlighter represents a different sense so I can see if I have the balance right, and to check am I bringing the reader right into my world. Usually it isn't and I'm not. Repeat this process until the MS is prised from my cold, deadened hands by the submission date. 

So there's my Writing Process, warts and all. Mostly warts. Did I mention I love it? 

I'm now tagging three other wonderful writers who'll be telling you all about their Writing Process next week. They are (drum roll):

Dianne Ascroft
Dianne writes contemporary and historical fiction with an Irish connection. Her books include a short story collection, Dancing Shadows, Tramping Hooves and an historical novel, Hitler and Mars Bars. Her articles and stories have been printed in Irish and Canadian magazines and newspapers as well as various anthologies. An urban Canadian, she has settled in rural Northern Ireland with her husband and an assortment of strong willed animals. Online she lurks and blogs  at www.dianneascroft.wordpress.com. 


Jo Chumas:

Jo won the Amazon Breakthrough Novel Award (Thriller/Suspense category) in 2013 for her historical novel The Hidden, picking up a publishing contract from Thomas & Mercer (Amazon Publishing) and a very nice advance. Jo’s been writing novels for 17 years (she’s written five novels), and has been a journalist and commercial writer for 20. Her next novel The Unforgiven – a sequel to The Hidden – is another mystery thriller. When Jo’s not busy writing she loves climbing hills, watching stand-up comedy, going to the theatre and collecting antiquarian books, generally on different days of the week. www.jochumas.com

Ginger Myrick:

Winner of the Rosetta Literary Contest 2012, Ginger is the self-published author of five novels: But for the Grace of God, Work of Art, The Welsh Healer, El Rey, and the upcoming Insatiable: A Macabre History of France ~ Marie Antoinette. A Christian who writes meticulously researched historical fiction with a ‘clean’ love story at the core, she hopes to show the reading community that a romance need not include graphic details to convey deep love and passion. http://gingermyrick.com


Make sure you check out their blogs- and their books!

The Fifth Knight is published by Thomas & Mercer and is a #1 Bestseller on Amazon charts. You can check it out on Amazon. com here or here on Amazon.co.uk here.  The sequel, The Blood of The Fifth Knight will be released by Thomas & Mercer on January 1st 2015. Find it here

Wednesday, March 6

The Day I Became a #1 Amazon Bestseller

The news was extra exciting last week. There were asteroids aplenty and no-one could quite seem to locate Bruce Willis to deal with them. Then: BAM!! One hit the earth, hit Russia in a terrifying streak of fire, with a huge explosion and shock waves that blew people off their feet, shattered windows, and had people screaming and running for cover. Fortunately, nobody lost their lives. 

Scientists lined up to tell us all how unlikely this all was. (But of course, being scientists, also told us it was quite likely really. It depended on which network you watched.) "What're the chances," my spouse remarked. "About as much chance as me hitting a bestseller list, " I replied. How we laughed. Well, I did. My spouse ignored me. It is his default and entirely sensible position. 

Sunday dawned as an unremarkable Sunday. Then I saw a post on Facebook from another historical writer: Cora Lee, who writes Historical Romance: 'Today's Kindle Daily Deal, and a great read!' The thumbnail was The Fifth Knight

My book. I was the Kindle Daily Deal. 

I messaged my agent, Josh Getzler. Even though it was Sunday, I got a message right back. All normal Sunday activity got suspended. I grabbed my laptop and watched my Amazon rankings. All day. I might have done something else (must have, if you think more closely about it) but I don't remember. Those rankings rose. And rose.


By 10:30 p.m. GMT (it was still day in the US!), I was heading for the top ten in the overall Kindle Store. And #2 on Historical, #3 on Action & Adventure. The only books above me on Action & Adventure were Life of Pi and Dan Brown's forthcoming release, Inferno. I was wildly excited to see my book underneath those two. I posted this on FB. Everyone agreed it was cool. Josh's reply was 'Piece of cake'. Because of course I was never going to knock those two off the top spot. 

At 11 p.m., I did. BAM!! I think is probably the most accurate description. If an asteroid had personally pulled up in a cab, rang the doorbell, delivered a meteorite pizza and THEN exploded, I could not have been more shell-shocked. Then my book did the same thing in Historical. Two #1s. Two of the little orange tags against The Fifth Knight that said #1 Best Seller.

So who did this? Who made this disturbance in The Force happen? Well, of course my wonderful agent. And of course my fabulous publishers, Thomas & Mercer. They had bought it and given it a great head start as a Kindle Serial and ensuring it had really solid sales. And of course, whoever decided that it was to be the Kindle Daily Deal. 

But as with anything in publishing, the people who make it happen, who really, really make it happen are the people who buy books. Who take their hard earned dollars/pounds/euros and are prepared to spend them on a book. Prepared to spend them on mine.

In the early days of Kindle Serials, those folks had nothing to go on. There are no Advance Review Copies with Serials. My reviews had to build from the ground up. And did they ever. By the time The Fifth Knight went on Daily Deals, there 78 of them, the vast majority 5 and 4 star. 

People wrote such lovely things about how much they'd enjoyed the book. How much they'd waited for the next episode in the serial. People posted on the Discussion Boards for each episode, with great comments, questions. They gave of their time, which is as precious as cash, to let me know as a writer how much my work had meant to them. 

One man even sent me a sweet message on Goodreads on December 29. That is Thomas Becket's Feast day, and this reader had a devotion to the saint and wanted to wish me well. Another reviewer went back and updated her review at each episode. I can't believe people's generosity. My life is so busy that some days I can't even remember if I've brushed my hair or not. The First Mrs Rochester look most evenings would suggest not.

I like to thank people where and when I can for buying my book and for posting a review. There are far, far too many of them to do that personally now. So to everyone who has, who has made this writer able to say she's a #1 Amazon Best Seller: thank you. You're the best.


The Fifth Knight is available here on Amazon.com and here on Amazon.co.uk. The sequel, The Blood of the Fifth Knight will be published by Thomas & Mercer on January 1st 2015. 

Visit E.M. Powell's website: www.empowell.com
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